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"The meditative 'Because' has John, Paul, and George singing every line together. John said he was listening to his wife, Yoko Ono, playing Beethoven's 'Moonlight' Sonata..."

September 27, 2019

"... asked her to play the chords backwards, and then wrote 'Because' around that. The actual chords to 'Because' aren't the same as the Moonlight Sonata's first movement played backwards or forwards, but you can still feel how the spirit of Beethoven touched Lennon." So writes my son John in a blog post yesterday about "Abbey Road," which came out 50 years ago yesterday. I had just started college, and I remember being surrounded by people who were all so excited about the new Beatles album. I remember listening to the album for the first time with the person who would turn out to be [my son] John's father and it was specifically the song "Because" that we both especially loved the first time we heard it. I even remember the line that seemed most sublime: "Because the world is round/It turns me on." John writes: "Come Together" starts the album on a dark note, with the band sounding united as they play a pr

"Then, as if to match this anachronistic sound, their lyrics were written from the perspective of various characters in distant-past American settings..."

September 25, 2019

"... Dust Bowl farmers ('King Harvest [Has Surely Come]'), Civil War soldiers ('The Night They Drove Old Dixie Down'), Manifest Destiny fulfillers ('Across the Great Divide').... ... The Band is an album about America as written by a Canadian band (with the notable exception of Helm, who was from Arkansas). And it’s within the complications of that dynamic that perhaps The Band’s best song, 'The Night They Drove Old Dixie Down,' lives, wrought with a particular type of humanity and heartbreak that’s increasingly hard to reckon with, given that its foundation lies within the perspective of a Confederate.... These stories weren’t really theirs to begin with -- they were just there to be plucked. And part of what makes it such a compelling, enduring, and difficult artifact of popular music to grapple with is this feeling that it’s a document of the country’s thorny past without being a strict endorsement of it." From "Fifty Years of 'The

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